The Man In the Irony Mask, by artist Paul Andrew 1998 Featuring Performance Artist and HIV AIDs activist Brenton Heath-Kerr
The Man In the Irony Mask, by artist Paul Andrew 1998 – Featuring Performance Artist and HIV AIDs activist Brenton Heath-Kerr PHOTO: Silversalt Photography

The Patient examines the embodied experience of the artist as medical patient and the medical patient as living subject in contemporary art.

The word patient has a dual meaning. It describes a state of being – of bearing a situation quietly, without complaint. It also describes a person in a hospital or clinical context, who is ill and undergoing diagnosis or treatment. The word originates from the Latin patiens, which means “suffering, enduring”. And for the medical patient, it is a common enough experience to wait, with pain.

The exhibition explores the ways in which artists engage with powerful human experiences in the fields of health, biological science and medicine, contributing to discourse on the representation of illness, disease, care, individual agency and what it is to be human.

Curated by guest curator and UNSW Art & Design PhD candidate Bec Dean, the collection of works, new experiments and ongoing projects featured in The Patient are all variously difficult, fearless, funny and sometimes unlovely. They range across media and connect to us as viewers and occasionally as participants.

The artists in this exhibition are drawn from Australia and the world, past and present. Their work deepens our own enquiries into the actual stuff of illness and disease, death and life – how they manifest viscerally and psychologically, as well as socially and politically.

 

OPENING
THURS 2 JUNE, 6-8PM
WHEN 3 JUN – 6 AUG 2016
WHERE
UNSW GALLERIES
ADDRESS
CNR OXFORD ST & GREENS RD PADDINGTON NSW 2021